SWEDISH FOLK SONG SETTING, A - Parts & Score, SACRED MUSIC
Availability Available Published 4th January 2012
Cat No.JM51335 Price
£48.00 Arranger: John Edmondson Category: SACRED MUSIC
Grade 2.0
Duration 4.10
A SWEDISH FOLK SONG SETI’ING is based on the familiar Lutheran hymn Children Of The Heavenly Father. The original tune comes from an old Swedish folk song, and the modem words are by Caroline V. Sandell-Berg. The work was commissioned by the 2009 Otsego County (New York) Music Educators Association in memory of Charles England, “a gifted musician, teacher and friend.” Mr. England’s extensive career in music performance included a tour with the United States Army Band (“Pershing’s Own”), and his broad educational training included a master’s degree from Yale in performance and pedagogy. This hymn was a favorite of his, and the composer has adapted the short melody in a varied setting for young concert band. The “setting” includes six different variations of the melody. The first is a simple straightforward setting beginning with a note in the chimes and a solo flute, building to a small woodwind choir. The second is a brass choir setting in minor. After a transitory theme the third is an expansive full band setting in four-four time. The fourth is in a new key and is built over a pedal point in the low winds. The fifth moves up a full step to a new key and in three-four time, like the first setting and the original melody, and features contrasting choirs of brass and woodwinds with the melody extended. The sixth and final setting is much like the opening in reverse, ending with the lone chime note with which it began. The composer is attempting to draw a musical picture of the idea that we come into this life with nothing and leave this life with nothing.
There is little indicated in the way of expression marks and dynamics, leaving most of the interpretation to the discretion of the director. Breath marks have been provided where necessary to outline suggested phrasing. The percussion is not extensive, provides important color elements, but should support and never intrude. Strive for a full, balanced overall sound with good blend and intonation. Play the work with appropriate reverence.